I spent quite a lot of time in the holidays drawing the canal with a focus on my theme of liminal spaces (trying to paint ghostly figures and experimenting with media). But in actual fact i think that I have done everything the wrong way round. What I should really have been focusing on was doing more research and trying to develop a narrative.
My Game Plan (for the next three days):
- Look back at and reflect upon group crit
- Blog about created images - what works and what doesn't.
- Think about the focus of the book. Is there some way I can bring the collected ephemera and the places where I found them together through a narrative? Do I need to focus on just one or the other?
- Read back through the interviews. Are there any quotes that I can pick out and tie into my narrative?
- Maybe go down to the canal and pick up more objects?
- Look at illustrators who look at the themes of presence of absence, liminal spaces and who use objects in their work - Cornelia Parker?
- Maybe research more into the remnants of people/ things to suggest their presence in absence and abandoned objects.
- Think about what kind of mood I want to convey in my book. Do I want it to be quite heavy or just lightly challenging to this idea of an idilic city canal.
- Once honed in on ideas start storyboarding potential narratives - three
- Continue with media and image experimentation (don't get carried away trying to make them look perfect - QUICK! QUICK! QUICK!) Hopefully this will result in some samples I can present in my tutorial.
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